A peculiar aesthetic language, given by the fusion of classical and modern elements, and by an eclectic and sophisticated choice of décor, makes every single ambience of Umiltà 36 inimitably alluring, offering an unprecedented multi-sensory experience. Discontinuity creates beauty: lines, geometries and the refined minimalism of the architectural solutions are perfectly blended with colourful and varied elements of décor. Among intriguing bergères, elegant lacquered cupboards, small retro-styled tables, extravagant textures and art-nouveau wallpapers, there is plenty of suggestions, fascinating the sight and the soul of the most demanding viewers.
The amazing variety of contemporary artworks, masterfully distributed in all rooms represent a further element of colour and value, spreading a touch of magic throughout the property.
Matteo Pugliese
Luce - 2007
Bronze sculpture
The work is part of the Extra Moenia Collection, tormented and mighty bronze creatures struggling to break free from the walls, men attempting a painful rebirth through a struggle with a wall-matter that imprisons them.
Giuseppe Amadio
Cabu - 2007
Acrylic on extruded canvas
After an initial material-gestural poetics, he has now moved on to a strongly conceptual language, living his abstract-concrete experience with monochrome works
Claudio Granaroli
Paper Paintings
His painting has a strong febrile aspect; on a painted background, often smeared with oil, he achieves transparent effects by thinning the colour to the maximum and pulling it to thin veils
Vasily Alekseyevich Vatagin
1883-1969
Russian Avant-Garde Geometric Paintings on Paper
He moved from Cubism to Cubo-Futurism and Geometric Abstractionism. The works on display are from the painter's Suprematist-Constructivist period in which dynamism, a sense of movement, the decomposition of form and the use of geometric shapes are present.
" At Umiltà 36, art becomes a powerful mean of expression, vehicle of emotions and suggestions, perfectly integrated in the vibrant atmosphere that recreates the ideal of perfection and elegance of 1950s Roman lounges. "
